A Los Angeles-based television literary agent, Ryan Ly currently serves as a principal at Curate Entertainment. With experience managing a portfolio of over 50 high-profile clients, Ryan Ly has signed talent for several successful television series, including the Walking Dead, Better Call Saul, and Making a Murderer.
One of the unwritten rules in Hollywood is that you have to work your way up from the mailroom. Aspiring agents, even those with impressive resumes and educational backgrounds, often start in low-level administrative positions or in the mailroom of an entertainment agency. The ones who have talent and who are good at networking tend to rise through the ranks as they get opportunities to help with projects or fill in for agent assistants who are on vacation.
Taking a low-level position at an agency is one of the best ways to break into other jobs in the business. For instance, previous experience working at an agency is typically a prerequisite for employment with many networks, studios, and producers because they only want to hire people who already have knowledge of the industry and have made personal contacts.
A Los Angeles-based television literary agent, Ryan Ly operates as the principal of Curate Entertainment. Adept at managing a personal portfolio of more than 50 high-profile clients, Ryan Ly formerly managed the television literary department at a large Los Angeles-based creative agency.
Many aspiring scriptwriters wonder what they need to do to secure an agent, the person who serves as the key to getting a script read and circulated in Hollywood. A query letter isn’t likely to attract much attention, especially without any contacts within the agency. Two insider tips to networking with agents include finding a job as an assistant at an agency and making the rounds at film festivals such as South by Southwest in Austin.
Don’t be afraid to be bold and passionate when tracking agents down at festivals and presenting your script idea. However, remember to keep a personal touch by learning something about each agent’s work before making your pitch so as to be informed and focused.
A Los Angeles-based television literary agent, Ryan Ly serves as a principal at Curate Entertainment. The former head of Creative Artists Agency’s television literary department, Ryan Ly maintains a personal portfolio of more than 50 high-profile clients.
For writers who have a television script to sell, landing a television literary agent is critical. To prepare yourself to get an agent, first, you need to complete two impressive television scripts that follow the format and style norms of their target genre. Agents typically want two samples to ensure their new find can replicate his or her success.
Also, pick a precise genre and stick with it. Focus on selling yourself as a professional who is primed to create genre scripts in the accepted format. It’s wise to move to L.A. and start networking to build the referrals to get an agent to read your script. It’s extremely rare to sign a reputable TV agent without being referred by someone he or she knows.
A successful leader in the entertainment industry, Ryan Ly serves as the principal of Curate Entertainment in Los Angeles. Prior to this position, Ryan Ly spent more than a decade at Creative Artists Agency where he most recently served as an agent and the television literary department head.
Whether you’re a screenwriter, novelist, or television writer, you need a good literary agent. Beginners, however, are unlikely to get an agent from a top company.
The reason is that an agent is unlikely to make much money from working with new writers. A new writer is lucky to make $100,000 in the first year. This means the writer’s agent will get $10,000 to $15,000 in commission, depending on the agent’s rate.
For the amount of time an agent must spend to promote a new writer, this amount of money is usually not enough. An agent can earn $200,000 a year by representing only one top-level writer.
Although new writers may be unable to get top agents, some lower-level agents may be extremely helpful. Though these agents may also be new to the entertainment industry, many are willing to work hard and build good reputations that will lead to success in the future.