Making a Murderer to Start New Season


Making a Murderer  pic
Making a Murderer

Formerly a partner at Creative Artists Agency LLC in Los Angeles, Ryan Ly is, among other things, a fast-rising television literary agent. Ryan Ly has helped to realize popular TV series such as AMC’s Better Call Saul and Netflix’s Making a Murderer.

Fans of Making a Murderer will be glad to know that a new season will debut late in 2018. First aired in 2015, Making a Murderer is a documentary about an ongoing criminal case. In the intervening years, there have been new developments in the case, and that new material will be presented in the new season.

The case focuses on Steven Avery from Manitowoc County, Wisconsin, who was accused and convicted of the sexual assault of Penny Beerntsen in 1985. After serving 18 years in prison, Avery still maintained his innocence. With legal assistance from The Innocence Project, he was ultimately exonerated by DNA evidence that proved another man, Gregory Allen, was the perpetrator. While in the process of suing the County for damages for his wrongful conviction, Avery was charged with the murder of Teresa Halbach, a photographer who visited his workplace.

Orrery Society.Recognizes Donors to the UPenn Library System


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Penn Libraries

Now the principal at Curate Entertainment in Los Angeles, Ryan Ly served for more than 12 years as the head of the television literary department at Creative Artists Agency. Before launching his career in Hollywood, Ryan Ly graduated from the University of Pennsylvania, where he remains involved as a member of the Orrery Society.

Established in 2008, the Orrery Society is a recognition society for alumni and other individuals who support the enhancement of the university library’s information resources. The mission of the society is two-fold. First, it aims to increase the availability of scholarly information through funding new acquisitions and the conservation of existing resources. Fundraising is an important part of a thriving university library. In one year alone, the UPenn library system spent $17 million on new acquisitions.

Secondly, the society works to raise awareness about the importance of stewarding library resources to the fulfillment of the university’s mission. The society began 10 years ago with 90 inaugural members. It now has over 200 members who together have raised more than $7.5 million to support the library collections.

How to Get a Television Literary Agent

Ryan Ly
Ryan Ly

A Los Angeles-based television literary agent, Ryan Ly serves as a principal at Curate Entertainment. The former head of Creative Artists Agency’s television literary department, Ryan Ly maintains a personal portfolio of more than 50 high-profile clients.

For writers who have a television script to sell, landing a television literary agent is critical. To prepare yourself to get an agent, first, you need to complete two impressive television scripts that follow the format and style norms of their target genre. Agents typically want two samples to ensure their new find can replicate his or her success.

Also, pick a precise genre and stick with it. Focus on selling yourself as a professional who is primed to create genre scripts in the accepted format. It’s wise to move to L.A. and start networking to build the referrals to get an agent to read your script. It’s extremely rare to sign a reputable TV agent without being referred by someone he or she knows.

Penn Offers Interdisciplinary Cinema and Media Studies Program


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Cinema and Media Studies

A veteran media executive responsible for overseeing a team of 18 television literary agents while a partner at Creative Artists Agency in Los Angeles, Ryan Ly is now the principal at Curate Entertainment. Prior to his work in Hollywood, Ryan Ly studied cinema at the University of Pennsylvania.

The Cinema and Media Studies programs at Penn allows students to major or minor in the history, theory, and aesthetics of film and media. All students majoring or minoring 1945, World Film History 1945 to the Present, and Television and New Media.

In addition to the core classes, students chose 10 other interdisciplinary courses to earn a major, or four other classes for a minor. Exposing students to a wide range of film methodologies and perspectives, Cinema and Media Studies cross-lists classes with other fields across the university, including Africana Studies, Anthropology, Communications, Fine Arts, History, and Women’s Studies, among other disciplines. To earn a major, at least three of the student’s elective classes must be focused on international film studies.

Streaming Becomes a Major Force in Television Content


Ryan Ly
Ryan Ly

A respected presence in the Hollywood entertainment sphere, Ryan Ly guided television series literary agenting with Creative Artists Agency LLC. With extensive knowledge of how shows are developed and produced, Ryan Ly maintains a significant roster of talent as the principal of Curate Entertainment.

An early 2018 article in Decider brought attention to streaming trends in a programming landscape suddenly dominated by Netflix, which added subscribers at a blistering pace of nearly 2 million monthly in 2017 and has an $8 billion budget for original programming.

With the network adding 17.2 million international subscribers and 5.3 million U.S. subscribers last year, its total global subscription base now exceeds 100 million. The result is a programming mix that is increasingly international in scope, with the Netflix original content budget expected to reach $14.4 billion over the next decade.

One potential contender in this sphere is Apple, which jumpstarted rumors in 2017 by announcing a Steven Spielberg-led Amazing Stories anthology series reboot. With talk shows and a science fiction series by the creator of the Battlestar Galactica in the wings, and a $1 billion budget for original content, there is speculation that Apple will seek to expand its successful Apple Music platform into an integrated music and television service.

Story behind the Launch of the Enduring Television Series Lost


With experience as the head of the Television Literary Department of Creative Artists Agency LLC, Ryan Ly now serves as the principal of Curate Entertainment. Having represented acclaimed series such as AMC’s Better Call Saul, Ryan Ly has a strong appreciation for classic series of the past that have successfully bridged commercial and artistic realms.

One such program, Lost, was conceived by ABC’s Lloyd Braun in the early 2000s while vacationing in Hawaii. His conception of the show included elements of Lord of the Flies, Cast Away, Gilligan’s Island, and Survivor. With the initial script for Nowhere disappointing, Braun reached out to J. J. Abrams, who was still a decade away from directing Star Wars and known at the time as the creator of ABC’s Alias. Abrams recruited Damon Lindelof, with the result a skeleton idea that surprised the pair by generating a quick network greenlight for filming.

As it turned out, the 20-page outline used to gain approval was not entirely accurate, as it described a structure that would be self-contained, without serial elements, and with a scientific explanation. In addition, costs would be limited by the fact that the characters would inhabit a “primitive Melrose Place” soundstage set.

As it turned out, the popular appeal of the show, which extended worldwide, meant that these rules were ultimately thrown out. Unfortunately, this did not occur before the on-location Hawaiian filming of the pilot, featuring a fiery airplane crash, turned out to be so expensive that it cost Lloyd Braun his job.

Hallmarks of Innovative Business Paradigms


Ryan Ly
Ryan Ly

Seasoned talent agent Ryan Ly has spent more than 15 years of leadership in the entertainment industry. He served as the head of Creative Artists Agency LLC’s Television Literary Department for four years before assuming his current role as the principal of Curate Entertainment. While operating in executive capacities, Ryan Ly has developed the ability to identify innovative business paradigms, of which there are at least the following three hallmarks:

A business paradigm is innovative if it has improved the product or service offered to the end user. For example, before the ballpoint pen, people used dip pens. But dip pens leave smudges, a shortcoming addressed by the ballpoint. Today, people continue to rely heavily on ballpoint pens because they perform better.

A business paradigm is innovative if it has improved the process of creating products or delivering services. Henry Ford has perhaps developed one of the most popular process innovations in history. When he implemented the world’s first moving assembly line, the time required to produce an automobile was significantly reduced from 12 hours to 90 minutes.

A business paradigm is innovative if it has improved the public’s perception of an established product or service. For example, Levi Strauss & Co. originally produced clothing for manual workers. Over time, its products have developed into a sought-after fashion brand.